Tuesday 28 May 2013

Aaliyah - Ultimate

Recommended by Bex:

I'd all but decided this week's post (now postponed) when I watched Romeo Must Die, starring Jet Li and the late Aaliyah. I was holding back the tears by the end, and always find 'Miss You' an emotional listen.

Aaliyah is a musical loss that hit me hard. The albums sound fresher now than ever; one can't help but wonder what the R&B genre might have been today with her input.

I particularly recommend:
Hot Like Fire
Try Again
Back & Forth
Are You Feelin' Me
I Don't Wanna



R.I.P. Baby Girl, forever in our hearts.

Sunday 19 May 2013

Beyoncé - B'Day

Recommended by Bex:

I had the original release of this and, while good, something was amiss. Those of us familiar with Beyoncé will know: not only is she Queen B, she is also the Queen of album re-releases.

Modified Deluxe tracklist (with links):

01 Beautiful Liar
02 Irreplaceable
03 Green Light
04 Kitty Kat
05 Welcome to Hollywood
06 Upgrade U
07 Flaws and All
08 If
09 Get Me Bodied (Extended Mix)
10 Freakum Dress
11 Suga Mama
12 Deja Vu
13 Ring the Alarm
14 Resentment
15 Listen
16 World Wide Woman
17 Check on It
18 Back Up

Saturday 11 May 2013

Slipknot - Vol. 3: (The Subliminal Verses)

Friend Recommendation:

Third studio album, following self-titled debut and the heavier Iowa - both great albums. Band members had promised a more experimental album prior to the release of Vol. 3.

For the first time in Slipknot's career, songs such as 'Circle' and 'Vermilion Pt. 2' were led by an acoustic rather than an electric guitar.

In Kerrang, drummer Jordison said, 'It's a bit more out there and a bit more spacey. It's almost as if Slayer was tapping on Radiohead'.

Thursday 2 May 2013

The Heavy - The House That Dirt Built

Friend Recommendation:

The title of The Heavy’s first album, 2007's Great Vengeance and Furious Fire, was the perfect trailer. The House That Dirt Built nicely builds the plot, opening up whole new musical storylines to explore.

By track five they've gone through soul, garage punk, a bit of James Brown funk, Hendrix and balls-out rock; by album’s end there's rockabilly, reggae and even a closing ballad. The most surprising thing, however, is how good they are at making it sound unified.